Isn't that how it is though? Once you get boobs in your head you can't get them out.
Monday, January 20, 2014
Friday, January 17, 2014
Thursday, January 16, 2014
Not So New Comic Review: Guardians of the Galaxy (1991) #18
I was never a huge fan of the original
Punisher from the regular Marvel Universe.
He just never appealed to me. How
would I fare with a gang of Punishers?
Let’s see.
The
member of the Punishers that had Vance in his sights at the end of the last
issue (the one with the douchey reverse Mohawk) gets a shot off, but it’s not
as true as he would have liked because of a claw that comes flying in to hit
the shooter right across the face. Vance
still gets shot in the head though, which is not only a bad thing in general,
but it also puts a hole in his containment suit, exposing his skin to the
air. The rest of the Guardians, along
with the Comandeers, spring into action to bring down the Punishers while
Hollywood takes Vance back to the base to receive some medical attention. Charlie rallies the troops which apparently
rallies the loins of Belle, one of the Comandeers. She gets all googly- eyed at him and his big
gun (no really, it’s an actual gun). A
gun that he use to straight up demolish a building that the Punishers are all
standing on. The head of the Punisher
organization, the one with the strange skull painting on his face, has decided
to enter the fray, along with all of the other members of his gang, so this
fight is about to get really one-sided.
At that
moment we head to the planet Courg (the planet that the Guardians were on in
the first few issues as they fought The Stark).
Martinex has gone back to make sure everything is kosher since they last
saw the dog-people of Courg. One of the
Courgians survived and now wants revege on Martinex though, but we won’t see
how that ends until next issue.
Right
now, we have to head back and watch Yondu go nuts. He went from an emo baby to getting a new
hand and finally living up to his warrior status. In fact, he straight up chops a guy’s head
off (off panel of course). This is the
Yondu that we should be seeing in this comic, not the one that cries because
the girl he likes doesn’t like him back.
Back to the action, the Guardians
sure look like they are about to win until the Punisher Tank shows up. This series is supposed to be set in the thirty-first
century but the tank sure looks like something out of Liefeld’s wet dream. Guns spikes and a giant skull, all requisite
pieces to a truly 90’s spectacle.
Charlie tries to shoot it with his giant gun to no avail. Baqck in the base, Vance is resting in a
containment unit when Krugar shows up to help him and when we head back to the
battle we finally get to see the full reveal of Talon. He’s about as douchey as you would expect.
The
member of the Punishers that had Vance in his sights at the end of the last
issue (the one with the douchey reverse Mohawk) gets a shot off, but it’s not
as true as he would have liked because of a claw that comes flying in to hit
the shooter right across the face. Vance
still gets shot in the head though, which is not only a bad thing in general,
but it also puts a hole in his containment suit, exposing his skin to the
air. The rest of the Guardians, along
with the Comandeers, spring into action to bring down the Punishers while
Hollywood takes Vance back to the base to receive some medical attention. Charlie rallies the troops which apparently
rallies the loins of Belle, one of the Comandeers. She gets all googly- eyed at him and his big
gun (no really, it’s an actual gun). A
gun that he use to straight up demolish a building that the Punishers are all
standing on. The head of the Punisher
organization, the one with the strange skull painting on his face, has decided
to enter the fray, along with all of the other members of his gang, so this
fight is about to get really one-sided.
At that
moment we head to the planet Courg (the planet that the Guardians were on in
the first few issues as they fought The Stark).
Martinex has gone back to make sure everything is kosher since they last
saw the dog-people of Courg. One of the
Courgians survived and now wants revege on Martinex though, but we won’t see
how that ends until next issue.
Right
now, we have to head back and watch Yondu go nuts. He went from an emo baby to getting a new
hand and finally living up to his warrior status. In fact, he straight up chops a guy’s head
off (off panel of course). This is the
Yondu that we should be seeing in this comic, not the one that cries because
the girl he likes doesn’t like him back.
After a
brief few panels where Nikki rides a floating scooter, we see Talon (a horrible
character that I’m sure was brought in to complete the “snarky team member with
claws” requirement for a ‘90’s super team) go to visit Krugar (remember him
from the Annual? He’s the new Dr.
Strange) in order to get him to heal Vance.
Back to the action, the Guardians
sure look like they are about to win until the Punisher Tank shows up. This series is supposed to be set in the thirty-first
century but the tank sure looks like something out of Liefeld’s wet dream. Guns spikes and a giant skull, all requisite
pieces to a truly 90’s spectacle.
Charlie tries to shoot it with his giant gun to no avail. Baqck in the base, Vance is resting in a
containment unit when Krugar shows up to help him and when we head back to the
battle we finally get to see the full reveal of Talon. He’s about as douchey as you would expect.
Next Issue: More
Talon than you could ever want. Trust
me, just what we’ve seen so far is enough for me.
Wednesday, January 15, 2014
Oooo, Big Threat
When in doubt, always threaten someone with a hose. If you learn nothing else from reading this strip, you've got that.
Tuesday, January 14, 2014
Masochist Music Review - Brides of Destruction: Runaway Brides
What can I say, I’m a masochist
when it comes to music. I like to have
complete catalogues when it comes to my favorite musicians. Sometimes this is a good thing (Alice Cooper,
AC/DC) but oftentimes it’s not. Not only
that, but I used to fall into the trap of hearing one or two great songs and
purchasing a whole album because of it, which sometimes produced a diamond, but
usually only coal. During this series,
we will dwell on some of the albums I have in my collection that are downright
terrible. I will re-listen to them all
and give you my impression of them.
Now this is only my opinion, so
don’t take it as gospel. If you like a
particular album in this series, let me know, we’ll open up a discussion about
it. I’m always open to discussing the
merits of any particular album, and if you have any suggestions (and especially
if you have the album itself and are willing to share your views) then let me
know and I’d be happy to add it to the list.
Artist: Brides of
Destruction
Release Date: September, 2005
Why you bought it: Being
a Motley Crue fan I was intrigued by the initial release from Brides of
Destruction. Even though Nikki Sixx left
after that album and subsequent tour, I thought that maybe, just maybe, Tracii
Guns could keep the momentum going and make a good sophomore album. After hearing Brides of Destruction, it also
got me into LA Guns so I had my hopes up based on the fact that they were a
solid band as well.
First impressions: It
didn’t really do it for me like the first album did. The first album had the right mix of LA
sleaze, grunge and pop, while this album didn’t really fire on all of those
cylinders. This was a dirtier sounding record, much like American Hardcore from
the dark period of LA Guns that didn’t feature Phil Lewis on vocals. It wasn’t terrible, it just lacked a certain
polish that came from having Nikki Sixx as your primary songwriter.
Impressions upon listening to it recently: I like the guitar work by Guns, in particular
the solo on “Never Say Never”. Being so
far removed from listening to Here Come
the Brides (their debut album) I am able to listen to Runaway Brides as its own entity, without feeling the need to
compare it to its predecessor. That
doesn’t, however, make it a great album.
It’s okay, but the flaws are glaring even without the comparison. The vocals are relatively weak and the music,
save for the way-too-infrequent guitar solos, is not nearly as polished as I
expected or hoped it would be.
Any saving grace?: It’s
not a horrible album, and I don’t skip the tracks when they come up on my
playlist, but I don’t frequently revisit the album unless it’s for something
like this.
Was it worth the purchase?: At a discounted price,
sure. Not at full price though.
Monday, January 13, 2014
Friday, January 10, 2014
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