Tuesday, November 27, 2012

Music Review - Nonpoint


            For those of you unfamiliar with Nonpoint, what the hell are you waiting for?  The best way to experience this band is live, as their shows carry a certain electricity that is hard to rival.  Because of the fact that the band is not a huge, stadium tour act, a lot of their shows can be seen in smaller venues (and by smaller I generally mean anything with less than 1500 seats).  This is where I first saw the band, before I even knew they existed.  They were opening for Sevendust and gave the headliner a run for their money in terms of who stole the show (Sevendust was still incredible, but I fully underestimated Nonpoint).  Since that day I have been on the bandwagon and never looked back.  There were a few releases recently (Vengeance and Miracle) that were okay, but didn’t have the brute force and consistency of previous albums.  This is not solely my opinion either as many longtime fans of the band as well as the band itself admits to this.

            Nonpoint’s newest, self-titled album gets back to what they do best though.  It is an incredibly consistent heavy as shit album that fans have been looking for since To the Pain.  It hits you in the mouth with a wall of sound from the opening sequence of “Lights, Camera, Action” and keeps rolling from there.  The sound is similar to Nonpoint albums of the past even though half of the band has moved on to different projects and there is now an additional guitar player.  This is a good thing though and the additional musician just ups the heaviness.   

            The vocals are still as strong as ever and are generally what set Nonpoint apart from many other similar bands.  The fact that vocalist Elias Soriano can go from a soothing melody to a rage filled growl in two seconds, while still maintaining the high level of energy that it takes to be in front of an explosive group of musicians like the rest of the band, definitely helps him, and Nonpoint in general, stand out from the pack of pretenders that has threatened to envelope metal music over the last decade. 

            The best part of this album is its consistency.  From the first to last song, there is no dud, no filler.  This is what plagued Vengeance and Miracle, a couple really good songs and then a lot of so-so music to fill out the album.  The early days of Nonpoint included albums like Development and Statement that were all quality music with no filler.  Nonpoint was quickly turning into a “singles band” without giving the longtime, devoted fans anything more than fodder for a greatest hits compilation.  Instead of continuing that trend, Nonpoint has gone back to their roots, making albums full of music that their fans would want to listen to.  This is the perfect album to throw in your car CD player and drive to, you don’t have to worry about skipping tracks or taking it out halfway through for something else.

            There are a few extras in the Best Buy exclusive package that I do need to tout.  First of all, the acoustic versions of two of the songs on the disc are  incredible (anyone that has heard their acoustic version of “What a Day” can attest to the fact that the band loses nothing upon its departure from plugged in instruments), while the remix of “I said it” doesn’t do much for me as it sounds a little too close to the original to be labeled anything vastly different.  The bonus DVD is good, not as good as the Live and Kicking disc, as it is shorter and contains less of the band’s earlier work, but it is by no means a deterrent.  Honestly, for $9.99 this is a great set to pick up for you or that metal-head in your life.

            If you like metal music at all, you need to do two things.  One, find the closest Nonpoint show and go there, you will not be disappointed.  Two, pick up their newest album, it’s the next best thing to being down in the pit.

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