Showing posts with label Syracuse NY. Show all posts
Showing posts with label Syracuse NY. Show all posts

Tuesday, August 20, 2013

How NOT to Organize a Concert

                On Sunday, my girlfriend and I had tickets to see Candlebox (remember Candelbox? So do we, so we wanted to catch them before they disappear again).  At $25, the tickets were relatively inexpensive (though a little pricier than one would expect for a band that’s well past their sell-by date).  The venue was close to home though as local radio station 95x and the bar/concert venue Monirae’s shared sponsorship duties, so at least it wasn’t a long commute.  The opening bands for the festivities (which were supposed to commence at 1230 but started late due to problems setting up) were basically all local bands, aside from Candlebox and one band that they brought with them.  Let’s do a quick rundown of everything that was done right on Sunday afternoon:

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o  They had an ice cream truck?

                With that out of the way, let’s go over what was done wrong:

·         Every piece of promotion I had heard about the concert up to the event had said that it was at the Oswego County Events Center at Monirae’s.  Imagine my surprise when I arrived at Monirae’s at 1230 and found absolutely nothing.  Apparently I was not the only one as many people had this complaint throughout the day.

·         When we arrived at the venue, it was just a fireman’s field with a fence around it and a stage at one end.  This was the prevailing feeling throughout the day as well.  It felt like a hastily assembled, horribly promoted fireman’s field days.

·         To park near the venue, we were required to pay $5 to park in a field.  This was not a field made for parking either.  It was literally just a field that they had off to the side, and some dude with a mower just went and cut the grass.  It was no place for cars to park, or people to walk for that matter as there were ruts and divots all over the place. 

·         Being that there was at least a good three hours until the only local band that we knew (and wanted to see) was going to go on, we tailgated in the parking lot for a few hours.  The security (which were taking their job waaaaaaay too seriously all day long) told us that our group (of about twelve people) would have to disperse if it grew much larger.  My girlfriend and I went in shortly after that anyway, but upon meeting up with our friends after their arrival, they stated that the security guards came out and broke up the tailgating anyway and made them come in to the “venue” (and I use that term extremely loosely).  Apparently the fact that people were outside eating and drinking and not funneling money to the event was frowned upon.  I have no idea what they would have done if the group had stayed out there longer, but the fact that they needed to make this point showed how out of touch they were.


·         The food prices seemed relatively cheap, but water and beer were as expensive as you would expect.  $2 for a bottle of water and $5 for maybe twelve ounces of beer (less than that if you consider that at least a third of it was foam) while to be expected is still price gouging on a sweltering day, especially when they advertised pricing beforehand with the tagline saying that they tried to keep the prices cheap.

·         There were a total of about seventy-five people in the concert venue, maybe 100 tops including staff. However, the majority of the people there were members of the various bands that were playing.  The local bands didn’t get to hang out backstage, they were just out mixing amongst the crowd, so the number of people there was vastly inflated.  I felt really bad for Candlebox.  I am sure they are not what they were twenty years ago, but they are a national act that is basically playing a fireman’s field days.  How far can you fall?

·         Throughout the day, the mantra was “support local bands”.  This would be all well and good, except the local bands are horrible.  Seriously.  Not counting The Hellfish (the local band that we already knew) there was maybe one band there that wasn’t totally horrible, but for the most part, out of nine local bands that played the show, seven of them were terrible.  I am all for supporting local bands and local music, but I can’t put my support behind bad local bands out of some fleeting sense of loyalty to the Central New York music scene.  If this is what Central New York has to offer the music scene, then no thank you.  Some of the music itself wasn’t terrible, but almost every single singer was terrible, to the point where they all sounded like they just put the band together for this event alone and needed anyone that could kind of sing, but settled on someone that couldn’t. 

·         During the intermission when the bands were setting up (which was relatively brief – the only thing that they got right that day) they played remix versions of Limp Bizkit hits.  I know, that last phrase in and of itself is an oxymoron.  You’re telling me that a “rock radio” station couldn’t come up with more suitable music than Fred Durst’s leftovers to entertain their meager crowd between bands?  It’s almost like they knew that the local bands were going to be crap and decided that they would try and make them sound better by playing the worst music they could find during the intermissions.

·         The bands at the event all pretty much stuck to original music.  One band did not one, but two covers.  “Man in the Box” by Alice in Chains and “Feed my Frankenstein” by Alice Cooper.  And the singer butchered both.  His voice couldn’t register either Layne Staley’s wail or Alice Cooper’s growl and the songs came out as tepid imitations of the real thing.  Something you might expect at a karaoke bar. 

·         The atmosphere felt more like a poorly constructed Battle of the Bands than it did any kind of real concert where bands were opening for a national act; from the three to four song set lists for each band to the poor quality of music on display (seriously, Syracuse, just give up and do us all a favor) it had an amateur, low quality feel to it.  The worst part is that in a few weeks Skid Row will be there and they are planning on doing a similar event!  These guys just can’t learn from their mistakes apparently. 

We stayed at the event from 1230 until about 6, suffered through six terrible (plus one good and one merely okay) local bands and half a set of the piss-poor national act that Candlebox brought with them, and decided to call it quits.  Even seeing Candlebox wasn’t worth this torture, considering the fact that we had the rest of Candlebox’s opener along with one more local band before Candlebox took the stage (probably around 7).  If we had arrived at 330 for The Hellfish and stayed through the end it would have been one thing, but terrible local bands kind of soured our afternoon.  If you follow the same list that 95x and Monirae’s did, you will undoubtedly have a poorly attended fireman’s field days on your hands just like they did.  I know I will avoid patronizing any and all establishments involved from now on, and just feel bad for Candlebox that they had to have their name sullied by such a terrible event. 


                

Tuesday, March 26, 2013

Kenny Wayne Shepherd: Standing Room Only at the Palace Theater


            It’s been quite a while since my last concert review (September to be exact) and it was definitely nice to get out and see some live music again. 

For my father’s birthday this year, I got tickets for us to go see Kenny Wayne Shepherd at the Palace Theater.  We have both been fans of Shepherd’s music for a while now, but had not seen him in concert yet, basically just living off of the various CD releases.  By chance, I wandered on to the band’s website a couple weeks ago and saw that they were playing a show, right here in Syracuse!  Sold!  Tickets were relatively inexpensive, especially given the accommodations, and so I scooped up two to be used as his birthday present this year. 

            First, something needs to be said for the Palace Theater in Syracuse, NY.  This is one of the best venues I have ever seen a concert in.  The seating is comfortable and there is plenty of leg room in case you want to sit down.  The whole theater is small, no bigger than a school auditorium (and in many cases, probably smaller) and the stage is equally small.  I am used to seeing shows at amphitheaters around here because it’s hard to get good, well-known bands to visit smaller venues, but I actually prefer a smaller atmosphere.  This was perfect.  There wasn’t a bad seat in the house.  The tickets were general admission so my father and I sat dead center about twenty rows back.  The acoustics took a second to get used to as it was very loud, but after that slight adjustment period, it was actually quite enjoyable. 

            The sound guys for Shepherd’s band did an excellent job as well.  It is not an easy task to get the sound balanced just right so you can hear all parts, including an organ, while playing indoors.  There were a couple hiccups where the sound dipped and got really quiet, but they were momentary and were quickly corrected.  I have been to outdoor shows where the balance was not this crisp, and I would argue that it is probably easier to manage sound outdoors than in.  Anyway, a huge pat on the back to the sound guys for their spot on, professional work.

            Okay, enough of the technical stuff, on to the performance itself.  Kenny Wayne Shepherd can play the shit out of a guitar.  His backing band was exceptional, and Noah Hunt has a voice perfectly suited to not only the blues, but to Shepherd’s band in general.  In all honesty, it would not be a Kenny Wayne Shepherd CD or concert without Noah Hunt.  I would go out on a limb and say that with Hunt’s versatility as well as just the overall power of his voice that he is one of the better vocalists out there in any genre.  Seriously, put him up against any male vocalist and I guarantee that he would be at least in the top five if not the overall winner.  But people go to these shows to see Shepherd play, and people turned out in droves for this one.  The show was sold out and people were standing in the aisles in order to see the band.  They were absolutely rewarded for that diligence as Shepherd was on all night long.  There was no opening band, so the action started right around eight o’clock and didn’t let up until a quarter to ten.  The band even stayed on stage instead of going off for the obligatory encore break.  This gave us all three more songs and about another half hour of music from the band. 

            I’ll be honest, I usually get tired at concerts.  I feel like an old man, and I have a bad back and usually at the end of a concert, there is more relief for me than there is any kind of elation.  Not here.  I was absolutely ready for more when it came to Shepherd and his band and could have stayed and listened to them for a few more hours.  From start to finish there was no let-up, no weak point.  In many other shows, when you see the lead singer leave the stage so that a musician can take a turn doing either a guitar or drum solo, you can kind of go to sleep a bit.  Sure, some of the guitar and drum solos can be interesting at times, but many of them are just unnecessary masturbatory material to showcase that specific musician.  They drag on too long and wind up being a little too self-indulgent.  Here, Noah Hunt left the stage at least three times, and each time, the quality of the show was just as good as before he left.  Shepherd had solos during the course of the regular songs, but only after Hunt left did Shepherd really cut loose, showing that bluesy rock guitar that comes straight from the Stevie Ray Vaughn school.  His solos are not just solos where he is plucking away at the guitar, experimenting with a sound.  Shepherd knows his sound and he plays it well, so these solos are actually fully written and realized songs (many of which wind up on his albums).  The fact that Shepherd slowly builds to a deafening crescendo in his solos works wonders at keeping the crowd engaged.  There were many times throughout the set, and even mid-song where the crowd would jump to its feet mid-song after a particularly fierce guitar part that was expertly executed. 

            I guess my only real complaint is that it rocked too hard (if you can call that a complaint).  Shepherd has a vast catalogue of music, not to mention years of blues songs that he can cover.  A good portion of those songs are slower, dare I say ballads that are among some of the best.  Not once did he dip his toe in that water this night.  While I can’t complain with the songs that he did choose, and I honestly wouldn’t be able to pick a song to replace as they were all excellent, it would have been nice to take the intensity down a bit at some point with the softer touch that Shepherd and his band really excel at.  That being said, it is a minor complaint, one that is overshadowed by the overall quality of the performance.

            Also, it doesn’t hurt any blues show when you close it out with a cover of Jimi Hendrix’s Voodoo Chile (slight return).

            If you like the blues, rock music, or just live music in general, you owe it to yourself to see Kenny Wayne Shepherd play.  If you can see him in the confines of the Palace Theater, than you are in for a treat.